Rachel
Justine
A versatile model and actress based in Austin, Texas. With a naturally captivating presence and a background in both commercial and film work, she brings confidence, professionalism, and a strong camera-ready energy to every project. She thrives in creative environments and has experience in live performance, brand campaigns, and independent film.
Open for magazine features, editorial & brand UGC · Austin, TX · available for travel
About
At twenty-five, I was building something real for the first time, and drinking through every hour of it. Getting sober didn't happen because life got easier; it happened because I finally told the truth about how bad it had gotten, prayed like I meant it, and kept doing the next right thing until sobriety held.
That surrender became the blueprint for everything after. Today I lead Rebels Who Say God, a community for artists and entrepreneurs who build wealth without numbing themselves to do it, creatively funded, spiritually led, unwilling to separate God, sex, money, and art. As I told Auralis Magazine, “sobriety is the hottest thing you wear.”
Versatile & unstoppable.
From fashion editorials to lifestyle campaigns, Rachel-Justine adapts with ease, bringing energy, poise, and a natural connection to the camera. She's a collaborator who elevates every project.
Right now I'm looking for more of the work that already feels like home: editorial features, film & TV, brand UGC and creative direction, and styling for events and campaigns, the kind of collaboration where I get to build the whole world before a single frame is shot.
Height: 5’7”
Bust: 35” (Natural 32C)
Waist: 28–29”
Hips: 34–35”
Inseam: 31–32”
Shoe: 8.5 US / 39 EU
Eyes: Green
Hair: Blonde
Build: Slim Fit & Athletic
Vitals
IG FOLLOWERS
7.6K+
Published features
4+
In Her Own Words
My Story
This is the story behind the work, the part that doesn't fit in a bio.
At twenty-five I was building the first real thing I'd ever built, and drinking through every hour of it. Mornings started with a cocktail. Afternoons dissolved into bottles. Evenings closed out with whatever was left. I was finally making real money, tasting a kind of stability I'd been chasing since I started my first company at nineteen. I was also terrified of a wreck, an arrest, of losing the one thing I'd gotten right because I couldn't put the bottle down.
What kept me alive through that season was a stubborn hope that refused to die. I hired coaches. I sat in seminars. I started praying, badly, and then not badly at all. I told myself: they say it works if you work it, so I worked it. I still think about that woman sometimes, alone, hungry, and committed like hell to a better life, and I thank her for believing there was more coming, long before there was any evidence of it.
"Sobriety is the hottest thing you wear."
The turning point didn't look like a decision. It looked like two days on the floor, sick from a bender, half-listening to a virtual summit I almost didn't log into. Something in what I heard cracked something open: the sense that I'd been handed a specific thing to build, and that hiding from it inside a bottle was its own kind of selfishness. I don't have a tidy way to describe what happened next, except that the fog lifted, I followed the next right step, and then the one after that. Sobriety held. It's still holding.
Surrender is the whole model now, not just the sobriety part. I had to say I can't. I had to say something bigger than me could. I told one person the truth before I told anyone else, and I built from there, daily, unglamorous, un-postable action. Results took about six months to show up. I call that timing divine; call it whatever you want to keep going.
That's the philosophy behind Rebels Who Say God now: make art and let God fill in the gaps. It's a community for people who've stopped numbing, who build wealth and make things without splitting God, sex, money, and art into separate, shame-bound categories. Creatively funded. Spiritually led. I don't think sobriety and sensuality have to cancel each other out, and I don't think faith has to forget the body.
I got here by paying attention to the right teachers. Tony Robbins, Dean Graziosi, Trent Shelton, Abraham Hicks, Carolyn Elliott, Marianne Williamson- I studied all of them, and one idea of Williamson's rearranged something in me: that our deepest fear usually isn't that we're not enough; it's that we're more powerful than we know what to do with. I decided my strength was my light, and I stopped apologizing for it.
"God doesn't just anoint prophets. God anoints architects."
Most of my clients show up the same way I did before all this: burnt out on their own art, treating money like something they have to force instead of something they're allowed to receive. I work with people who've quietly separated God, sex, money, and art from each other, and we put it all back together. Dull becomes intentional. Boring becomes alive. Getting paid to make what you're actually here to make is a trust fall, and I build that with people, one honest move at a time.
None of this made me finished. Intimacy is still where I get tested the most, loving someone without turning them into a substitute for the thing I used to numb with. I've been banned from platforms more than once for saying things plainly instead of prettily, and my inner artist is still negotiating what it means to be visible and safe at the same time. Someone once told me shame is the source of your power, and I believe that more each year: the parts of the story I used to want to hide are exactly the parts doing the work now.
I still cry on bathroom floors sometimes. I still get angry in the car. I still feel everything, and I've stopped treating that as a problem to fix. The woman who was surviving on hard liquor and hope is still in here, I just don't need her to run things anymore. If there's a legacy in any of this, I want it to be permission: that you can be hot, holy, and whole at the same time. No separation.
As featured in Auralis Magazine, Hardcover Collection. Written by Nic Beegee. Photography by Lola Love
Portfolio
Editorial
Commercial
Experience
Striking. Strong. Effortlessly magnetic
Film & TV (Background Acting)
Local Commercials (NYC / Austin)
Award-Winning Music Video / Film
SXSW Award-Winning Actress in "Run" (KJ Hines)
Film (Indie)
Actress in "Red Terror"
Live Performance / Theatre
Modeling & Brand Work
Local Austin Brands
Brand Modeling for Fiat, T-Mobile, Bounce Chat, and more
Amazon Product Modeling
Lush Friends
Cherries Swimwear Brand
Services
Editorial & Print
Magazine spreads, creative concepts, and print features, like the Auralis Magazine Hardcover Collection cover.
Modeling
Editorial, commercial, and brand modeling, camera-ready and versatile across print, digital, and video, with credits spanning Fiat, T-Mobile, Amazon, and more.
Fashion Styling: Dressed By Divine
Personal styling and wardrobe direction through my studio, Dressed By Divine, closet edits, event and shoot styling, and full-look sourcing for clients and campaigns.
Event Styling & Creative Direction
Full-look styling and on-site creative direction for brand events, including wardrobe direction for Lindsey Badillo at the AI Profit Con event, Hyatt Regency Austin.
Commercial
Catalog, lookbook, and brand campaign work, clean, on-brief imagery.
Brand Partnerships & UGC
Sponsored content and collaborations leveraging an engaged, story-driven audience, including ongoing affiliate work with Lush.
Beauty & Lifestyle
Beauty close-ups, skincare/haircare campaigns, natural lifestyle sets.
Film, TV & Live Performance
Background and independent film work, award-winning short film acting, and live performance, dancer/actress credits with local Austin acts.
FAQ
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Yes, recent work has taken me to New York City and Paris, and I'm based in Austin, TX with availability to travel for the right project.
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Every package is custom-quoted based on scope, usage, and deliverables, reach out for a full rate sheet. Options range from a single styled piece of content to an ongoing monthly retainer.
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I respond within 48 hours, usually faster if the pitch is good.
Let's create something worth publishing
For bookings, magazine submissions, or collaboration inquiries, reach out directly and I'll follow up within 24–48 hours.
Or reach out to any of my social media accounts